Work/Authorial/Fathers' GUIL(T)D
From my first visit to the Pankisi Valley, I felt a tension beneath the surface. The men I met there were former Chechen war veterans — once fighters, now farmers, fathers and grandfathers. They sat quietly outside their homes, yet their watchful eyes and restrained gestures revealed wounds that had never fully healed.
What fascinated me, however, were not the warriors themselves, but the families they had left behind.
Over time, I began to recognize parallels between their stories and my own relationship with my father. The same contradictions kept returning: anger and longing, admiration and rejection, distance and the desire for reconciliation.
I returned to Pankisi repeatedly, gradually understanding that the project was becoming as personal as it was documentary. Eventually, I invited my father to join me. Later, my brother came as well, together with his teenage son.
The men portrayed in these photographs belong to different generations, yet each of them is searching for a way to live with the past while building a future for those who come after them.
Fathers' GUIL(T)D is a story about fathers and sons.
About inheritance — not of property, but of gestures, fears, values and expectations.
The stories of the men of Pankisi became a mirror through which I was finally able to look at my own father differently.
Pankisi Valley, Georgia · 2016–2020
filmed during the Fathers' GUIL(T)D project
What stayed with me most was not strength.
It was absence:
And, perhaps, to find my own way home.